Yes yes, I know what you’re thinking: why in God’s name am I writing about this fair almost two months after the event, and in “Dry January” and everything? Well, as regular readers of The Motley Cru (all dozen of you) will know, I’m not exactly the most expedient when it comes to writing up my blog posts, and this annual fair is too significant and has too much going on to just simply leave slide. So better late than never.
Yes, this annual gathering held by wine retailer of note, The Corkscrew, is for me at least one of the highlights of the wine year in Ireland, providing as it does a fantastic opportunity to overview the Irish wine trade in one fell swoop (and a woozy one at that).
I first experienced the fair all the way back in 2008, my first year in what was then Woodford Bourne, when I myself stood behind one of the tables serving wine to an increasingly inebriated public who, by degrees, came over just to taste “your most expensive wine.”
Back then our “most expensive wine” on show was iconic Super-Tuscan Ornellaia‘s second wine Le Serre Nuove, which today retails for €55. But over the years I saw the quality of wines on offer drop somewhat: a product of that perfect storm in the wine trade involving both the recession and successive, punitive increases of alcohol duty in the Budget.
Last year, though, I thought I sensed a glimmer of hope, and this year I was glad to see that confidence was finally returning to the trade, at least as far its the public face was concerned. Not that we were showering ourselves in Dom Pérignon, of course (we’re not the Sunday Independent Life Magazine after all), but the fact that suppliers weren’t afraid once again to show bottles in the €30-€40 range and above was heartening, and a testament to the returning confidence in both consumers and wine importers/retailers in this country.
My recurring difficulty of successfully tasting wines from each table at events like this was very much to the fore once again here (as it was for Ely’s Big Rhône Tasting), and as I was also with a few friends at the time my notes were a mess of mostly incomplete scrawls squeezed into the margin of the accompanying booklet, so this is far from being a comprehensive review of the fair. But from what I can decode from these scribbles, and recall from memory, below were my favourite sparkling wines and whites of the day:
This is a really lovely, biscuity champagne, very fine, delicately balanced and deliciously moreish. I couldn’t but help draw comparisons to the Bollinger style, with its toasy brioche, albeit a little less bombastic. Enrobed (as I’m sure they’d like me to call it) in a new bottle and label, this is a serious Champagne both in and out. (Jamie Good has a more detailed article on Charles Heidsieck for wine nerds here.)
I was informed that this was a Blanc de Blanc (i.e. 100% Chardonnay), which was news to me as they didn’t specify it on the label, which itself I identified immediately since it’s been popping up on various social media outlets this last year or so (especially Frankly Wines, who reviewed it not once, not twice, but thrice).
This was a really very lovely Champagne in a nicely contrasting style to the Charles Heidsieck from earlier, a point I relished elaborating to my friends (for all of, oh, 12 seconds or so before they got bored).
Delicate, poised and creamy, it had an unmistakable citrus streak but finished with a softened almost bready finish. A really delicious, artisan Champagne, and highly recommended.
I always enjoy visiting the Le Caveau table at these fairs, but unfortunately I was a bit rushed on this occasion time as my friends had moved on elsewhere, partly given the awkward location of the table in the far corner of the room. In what time I had I found the offerings at the lower to be most noteworthy and great value, a fact most likely down to the fact the more expensive bottles all needed to have stories to be told and their styles explained, a luxury not afforded by my time constraints.
So this Rueda was one of those I marked “GVFM” – a handy acronym I now use regularly which I ‘borrowed’ from Kevin Ecock. Much more subtle than the sprightly, lively Ruedas available, this provides a nice counterpoint to ubiquitous the ultra-fresh style. Unmissable in its acid-green labelling also.
Saget La Perrière, Petit Perrière Sauvignon Blanc 2013
€13.95 from The Corkscrew
A pretty straight-forward wine, nice and inoffensive, but when I realised the price I was very impressed. Wine made to this quality for this price is a rarity, most especially in France. Excellent value for money and one to buy by the case.
Le Domaine Sagat, Pouilly Fumé
Very clean, precise, deliciously fine wine. Sorry, I don’t have more notes, but i do remember it being delish, so take that as you will.
Jean Chartron Rully 2012
€29.95 from The Corkscrew
Rully (“roo-yee”) is a region in Burgundy that produces whites which are a great example of Old World and New World Chardonnay styles combined, hot-skipping between the former’s buttery oakiness and the latter’s fresh tropical fruit to give a chameleon-like wine. The Jean Chartron’s ultra-rich buttery nose belies a really clean, fresh palate with a fantastic, refreshing mineral streak. Balanced and beautiful.